The board of trustees of the Berkshire Museum in Pittsfield, Massachusetts, has announced that two works will be auctioned at Sotheby’s American art auction set to take place in New York on November 16. The pieces—Hunter in the Winter Wood by George Henry Durrie and The Last Arrow by Thomas Moran—are part of the second group of works that will be sold as part of the institution’s controversial deaccessioning plan, which was approved by the Massachusetts Supreme Judicial Court on April 5, 2018.
Katie and Steve give an update on the first round of auction sales as part of the Berkshire Museum’s court sanctioned deaccessioning plan. They discuss the results of the sales, the museum’s current stance, and where that leaves us (hint: dissatisfied).
So it has begun. The first 13 of the 40 works marked for deaccession by the Berkshire Museum have been sold. George Lucas has bought Norman Rockwell’s Shuffleton’s Barbershop (1950) for his new museum and a baker’s dozen more were sent to the block earlier this month at Sotheby’s spring sales. These were the first works sold at auction following the Pittsfield, Massachusetts, museum’s settlement with Massachusetts Attorney General Maura Healey. In February, the sale designed to pad the museum’s endowment and radically reshape its mission, capping the spoils at a maximum of $55 million. The agreement, which to critics is a bit of a farce itself, has turned the sale into a three-act melodrama. The art is to be disposed of in three separate groups or “tranches,” until the total dollar amount is achieved. Tranche is a banking term derived from the Old French word for “slice”; the settlement, Healey’s office insists, was the best half-a-loaf compromise existing law allowed to mitigate the sell-off. Watching the auctions over the past two weeks, it felt more like death by a thousand cuts.
Benjamin Cassidy, The Berkshire Eagle May 14, 2018
NEW YORK — The first two publicly auctioned Berkshire Museum artworks since the announcement of the institution’s “New Vision” project last July have been sold for a combined $1.16 million.
Henry Moore’s “Three Seated Women” and Francis Picabia’s “Force Comique” fetched $240,000 and $920,000 hammer prices, respectively, at Sotheby’s Impressionist & Modern Art Evening Sale on Monday night. The winning bidders, both by phone, were not immediately known.